Baudrillard and Postmodernism by
This innovative book locates the historical emergence of postmodernism and what it is a reaction against. One of the key theorists of postmodernism, is Jean Baudrillard. He has had an enormous impact on contemporary social theory and social philosophy. This text locates his key concepts, locates empirical examples and importantly maps out the key influences of Baudrillard's work. There is critical engagement with Baudrillard's postmodernism in an assessment of its strengths and weaknesses.
The Baudrillard Dictionary by
This is the first dictionary dedicated to the work of Jean Baudrillard (1929-2007). It explains and contextualises more than a hundred key concepts, terms, influences and topics within his thought. An essential reference for students and scholars of Baudrillard, it also serves as an authoritative overview of how his ideas have shaped a broad range of disciplines, from art, architecture, film and photography to sociology, philosophy, human geography, media studies and cultural studies. The entries are written by thirty-five leading Baudrillard specialists from around the world, including Rex Butler, Mike Gane, Gary Genosko, Victoria Grace, Diane Rubenstein and Andrew Wernick.
Jean Baudrillard by
Jean Baudrillard is one of the most controversial theorists of our time, famous for his claim that the Gulf War never happened and for his provocative writing on terrorism, specifically 9/11. This new and fully updated second edition includes: an introduction to Baudrillard's key works and theories such as simulation and hyperreality coverage of Baudrillard's later work on the question of postmodernism a new chapter on Baudrillard and terrorism engagement with architecture and urbanism through the Utopie group a look at the most recent applications of Baudrillard's ideas. Richard J. Lane offers a comprehensive introduction to this complex and fascinating theorist, also examining the impact that Baudrillard has had on literary studies, media and cultural studies, sociology, philosophy and postmodernism.
Jean Baudrillard by
This book goes beyond Baudrillard's writings on consumer objects, the Gulf War and America, to identify the fundamental logic that underpins his writings. It does this through a series of close readings of his main texts, paying particular attention to the form and internal coherence of his arguments. The book is written for all those who want a general introduction to Baudrillard's work, and will also appeal to those readers who are interested in social theory, but who have not yet taken Baudrillard seriously.
Jean Baudrillard by
Jean Baudrillard has been studied as sociologist, philosopher, cultural theorist, political commentator, and photographer. Brian Gogan establishes him as a rhetorician, demonstrating how the histories, traditions, and practices of rhetoric prove central to his use of language. In addition to Baudrillard's standard works, Gogan examines many of the scholar's lesser-known writings that have never been analyzed by rhetoricians, and this more comprehensive approach presents fresh perspectives on Baudrillard's work as a whole. Gogan examines both the theorist and his rhetoric, combining these two lines of inquiry in ways that allow for provocative insights. Part one of the book explains Baudrillard's theory as compatible with the histories and traditions of rhetoric, outlining his novel understanding of rhetorical invention as involving thought, discourse, and perception. Part two evaluates Baudrillard's work in terms of a perception of him—as an aphorist, an illusionist, an ignoramus, and an ironist. A biographical sketch and a critical review of the literature on Baudrillard and rhetoric round out the study. This book makes the French theorist's complex concepts understandable and relates them to the work of important thinkers, providing a thorough and accessible introduction to Baudrillard's ideas.
Jean Baudrillard: from Hyperreality to Disappearance by
From familiar themes to the less well understood aspects of his thought, these interviews give you an overview of Baudrillard's ideas - without the jargon typical of written texts. Read as Baudrillard himself discusses, explains and elaborates on his ideas, making this collection essential for understanding many of his other works.
Jean Baudrillard: the Disappearance of Culture by
Originally published between 1968 and 2009, this collection of 25 pieces includes six interviews translated into English for the first time and a new transcription of a Q&A session with Baudrillard following a lecture he gave in London in 1994. The guiding theme of the collection is Baudrillard's engagement with culture. The implications of the implosion of Western culture are dissected and documented in the rich range of material included here.
The Jean Baudrillard Reader by
Jean Baudrillard was perhaps the most controversial of all social and cultural theorists. He has been variously vilified as a 'postmodernist', an 'overrated French theorist' and one of the 'intellectual imposters'. His comments on 9/11, Abu Ghraib and Europe's suburban riots have been eagerly sought and digested, and there is now a chance to read Baudrillard's texts in an overall historical, social and political context and for a cool re-assessment to be made of his life and work, after his death. This book concentrates on what Baudrillard has written over five decades and the order in which he wrote it. The Reader comprises extracts of Baudrillard's writings from the sixties to the noughties, with an editorial introduction and a concluding reading guide.
The Uncollected Baudrillard by
Jean Baudrillard is generally recognized as one of the most important and provocative contemporary social theorists. But in the English speaking world, his reputation is largely based on books published after the 1960s, as he moved towards becoming the premier commentator on postmodernism. This wide ranging and expertly edited book examines the work of the young Baudrillard, it deepens our understanding of his seminal work on consumer culture by presenting his early essays on McLuhan, Lefebvre and Marcuse. The influence of German traditions of thought are clearly revealed, and Baudrillard's neglected and out of print writing on aesthetics is rediscovered and reprinted. Extracts from his political diaries and commentaries on European terrorism and the rise of the new Right, provide crucial insights into his later claims regarding the implosion of the masses and the rise of gesturial politics. Baudrillard emerges as a more nuanced and penetrating figure. His aesthetic and political interests are shown to be more deep-rooted and reflexive. In general, the book supplies the missing link for English speaking readers interested in understanding this prismatic and essential thinker.
The Vital Illusion by
Aren't we actually sick of sex, of difference, of emancipation, of culture? With this provocative taunt, the indomitable sociologist Jean Baudrillard challenges us to face up to our deadly, technologically empowered renunciation of mortality and subjectivity as he grapples with the complex issues that define our postmillennial world. What does the advent and proliferation of cloning mean for our sense of ourselves as human beings? What does the turn of the millennium say about our relation to time and history? What does the instantaneous, virtual realm of cyberspace do to reality? In The Vital Illusion—as always—Baudrillard leads his readers to some surprising conclusions. Baudrillard considers how human cloning—as well as the "cloning" of ideas and social identities—heralds an end to sex and death and the divagations of living by instituting a realm of the Same, beyond the struggles of individuation. In this day and age when everything can be cloned, simulated, programmed, and genetically and neurologically managed, humanity shows itself unable to brave its own diversity, preferring instead to regress to the pathological eternity of self-replicating cells. By reverting to our viral origins as sexless immortal beings, we are, ironically, fulfilling a death wish, putting an end to our own species as we know it. Next, Baudrillard explores the "nonevent" that was and is the turn of the millennium. He provocatively puts forward the thesis that the arrival of the year 2000 could never take place because we could neither resolve nor leave behind our history, nor could we stop counting down toward our future. For Baudrillard, the millennial clock reading to the millionth of a second on its way to zero is the perfect symbol of our time: history decays rather than progresses. In closing, Baudrillard examines what he calls "the murder of the real" by the virtual. In a world of copies and clones in which everything can be made present in an instant by technology, we can no longer even speak of reality. Beyond Nietzsche's symbolic murder of God, our virtual world free of referents is in the process of exterminating reality, leaving no trace: "The corps(e) of the Real—if there is any—has not been recovered, is nowhere to be found." Peppered with Baudrillard's signature counterintuitive moves, prophetic visions, and dark humor, The Vital Illusion exposes the contradictions that guide our contemporary culture and rule our lives.
Adapting Philosophy by
Adapting Philosophy looks at the ways in which The Matrix Trilogy adapts Jean Baudrillard’s Simulacra and Simulation, and in doing so creates its own distinctive philosophical position. Where previous work in the field has presented the trilogy as a simple ‘beginner’s guide’ to philosophy, this study offers a new methodology for inter-relating philosophy and film texts, focusing on the conceptual role played by imagery in both types of text. This focus on the figurative enables a new-found appreciation of the liveliness of philosophical writing and the multiple philosophical dimensions of Hollywood films. The book opens with a critical overview of existing philosophical writing on The Matrix Trilogy and goes on to draw on adaptation theory and feminist philosophy in order to create a new methodology for interlinking philosophical and filmic texts. Three chapters are devoted to detailed textual analyses of the films, tracing the ways in which the imagery that dominates Baudrillard’s writing is adapted and transformed by the trilogy’s complex visuals and soundtrack. The conclusion situates the methodology developed throughout the book in relation to other approaches currently emerging in the new field of Film-Philosophy. The book’s multi-disciplinary approach encompasses Philosophy, Film Studies and Adaptation Theory and will be of interest to undergraduates and postgraduates studying these subjects. It also forms part of the developing interdisciplinary field of Film-Philosophy. The detailed textual analyses of The Matrix Trilogy will also be of interest to anyone wishing to deepen their understanding of the multi-faceted nature of this seminal work.
America by
"In America, France's leading philosopher of postmodernism took to the freeways to produce a collection of traveler's tales from the land of hyperreality. From the sierras of New Mexico to the streets of New York and LA by night-- a sort of luminous, geometric, incandescent immensity"--Baudrillard mixes apercus and observations with a wicked sense of fun to provide a unique insight into the country that dominates the world. In this new edition, leading cultural critic and novelist Geoff Dyer offers a thoughtful and perceptive take on the continuing resonance of Baudrillard's book in Obama's America." -- Provided by publisher.
Simulacra and Simulation by
The first full-length translation in English of an essential work of postmodernist thought