The Narrative of Sojourner Truth by
From slavery to liberation to life as an abolitionist, feminist, orator, and preacher--the autobiography of a woman who refused to be anything but free.Born into slavery in New York around 1797, then sold from master to master, Sojourner Truth spent her formative years witnessing the cruelty inherent in the institution of slavery. Escaping to a friendly household before emancipation, she learned that her young son had been sold illegally and launched a lawsuit that would end with his release--the first time in America that a black woman went to court against a white man and won.But Truth hadn't even begun her work. She made it her life's mission to free all those who were considered less than equal--both those in chains and those held down because of their gender--ultimately inspiring her friends and followers with the legendary speech that came to be known as "Ain't I a Woman?" So great was Truth's renown and respect that she met with President Abraham Lincoln in 1864. She was later named one of the 100 Most Significant Americans of All Time by Smithsonian magazine.Published in 1850, The Narrative of Sojourner Truth was spoken aloud to Truth's friend and neighbor Olive Gilbert, as she herself was illiterate. Along with The Narrative of the Life of Frederick Douglass, it remains one of the most moving and eloquent slave narratives--a testament to the resilience of the human spirit.This ebook has been professionally proofread to ensure accuracy and readability on all devices.
Sojourner Truth by
Goes beyond the myths and legends to reveal new insights into the real life of Sojourner TruthMany Americans have long since forgotten that there ever was slavery along the Hudson River. Yet Sojourner Truth was born a slave near the Hudson River in Ulster County, New York, in the late 1700s. Called merely Isabella as a slave, once freed she adopted the name of Sojourner Truth and became a national figure in the struggle for the emancipation of both Blacks and women in Civil War America.Despite the dual discrimination she suffered as a Black woman, Truth significantly shaped both her own life and the struggle for human rights in America. Through her fierce intelligence, her resourcefulness, and her eloquence, she became widely acknowledged as a remarkable figure during her life, and she has become one of the most heavily mythologized figures in American history. While some of the myths about Truth offer inspiration, they have also contributed to distortions about American history, especially about the experiences of Black Americans and women. In this landmark work, the product of years of primary research, Pulizter-Prize winning biographer Carleton Mabee has unearthed the best available sources about this remarkable woman to reconstruct the most authentic account of her life to date. Mabee offers new insights on why she never learned to read, on the authenticity of the famous quotations attributed to her (such as Ar'n't I a woman?), her relationship to President Lincoln, her role in the abolitionist movement, her crusade to move freed slaves from the South to the North, and her life as a singer, orator, feminist and woman of faith. This is an engaging, historically precise biography that reassesses the place of Sojourner Truth—slave, prophet, legend—in American history.
Journey Toward Freedom by
A biography of Sojourner Truth, who was born into slavery, freed in 1827, and became famous for her courage, quick wit, and ready challenge as she campaigned for abolition and women's rights in New York and the Midwestern States.
Sojourner Truth by
Biography of Sojourner Truth, a woman born into slavery who, inspired by religion, made herself over into a strong public presence, traveling America in the years between the 1840s and late 1870s, denouncing slavery and advocating freedom, women's rights, and temperance.
The Cambridge Companion to Harriet Beecher Stowe by 
The Cambridge Introduction to Harriet Beecher Stowe by 
Dred: A Tale of the Great Dismal Swamp by
Harriet Beecher Stowe's second antislavery novel was written partly in response to the criticisms of Uncle Tom's Cabin (1852) by both white Southerners and black abolitionists. In Dred (1856), Stowe attempts to explore the issue of slavery from an African American perspective.Through the compelling stories of Nina Gordon, the mistress of a slave plantation, and Dred, a black revolutionary, Stowe brings to life conflicting beliefs about race, the institution of slavery, and the possibilities of violent resistance. Probing the political and spiritual goals that fuel Dred's rebellion, Stowe creates a figure far different from the acquiescent Christian martyr Uncle Tom. In his introduction to the classic novel, Robert S. Levine outlines the antislavery debates in which Stowe had become deeply involved before and during her writing of Dred. Levine shows that in addition to its significance in literary history, the novel remains relevant to present-day discussions of cross-racial perspectives.
Harriet Beecher Stowe´s Uncle Tom´s Cabin: The Creation and Influence of a Masterpiece by
Harriet Beecher Stowe´s novel Uncle Tom´s Cabin, was one of the most controversial books, published in 1851/52 and put the debate on slavery more strongly in the center of public attention. It had great influence on other writers at that time. This paper deals with the writing and the publishing of Stowe´s masterpiece and the comparison with its most popular stage adaptation by George L. Aiken. Similarities as well as differences will be presented as far as the structure, the characters and the themes are concerned.
A History of Salem Witchcraft by
Harriet Beecher Stowe was an author and abolitionist who is best remembered as the creator of Uncle Tom's Cabin, a much-beloved novel that brought emotional resonance and depth to the debate over slavery. This fascinating collection documents some of Beecher Stowe's writing on the topic of spiritualism, particularly a history of Salem Witchcraft. Originally published in The Phrenological Journal, these articles are sure to fascinate readers interested in the supernatural.
Uncle Tom's Cabin by
The novel Uncle Tom's Cabin, by American author Harriet Beecher Stowe, focuses on a slave named Uncle Tom to weave a portrayal of the cruelty of slavery, finding redemption in the idea that Christian love can conquer something so destructive. It turned out to be the bestselling novel of the nineteenth century, helping to further the abolitionist cause after publication in 1852. At the start of the American Civil War Abraham Lincoln met Stowe and is said to have declared "So this is the little lady who made this big war." The novel had a major effect on people's attitudes towards slavery at the time.
Uncle Tom's Cabin by
Uncle Tom, a slave on a farm in Kentucky, is sold by his owner Arthur Shelby and forced to travel south down the Mississippi River. As he is sold from one owner to another, his strong faith in God and his loyalty to fellow slaves sustain him. When Tom ends up on a plantation owned by a cruel, abusive man named Simon Legree, a final act of defiance sends Legree over the edge. This unabridged version of Harriet Beecher Stowe's American classic, first published in 1852, exposes the brutality of slavery and stresses the value of faith and the significance of self-sacrifice.
The Annotated Uncle Tom's Cabin by
Presents an annotated version of Harriet Beecher Stowe's classic novel "Uncle Tom's Cabin" that describes the lives of slaves and abolitionists in the 1800s, historical discussions of the Underground Railroad, slave trade, and plantation life, and advertisements that were influenced by the novel.
The Cambridge Companion to Harriet Beecher Stowe by 
Harriet Beecher Stowe by
"Most writing about Stowe treats her as a literary figure and social reformer while downplaying her Christian faith. But Nancy Koester's biography highlights Stowe's faith as central to her life -- both her public fight against slavery and her own personal struggle through deep grief to find a gracious God. Having meticulously researched Stowe's own writings, both published and un-published, Koester traces Stowe's faith pilgrimage from evangelical Calvinism through spiritualism to Anglican spirituality in a flowing, compelling narrative." --from book description, Amazon.com.
Harriet Beecher Stowe : a biography by 
Uncle Tom: From Martyr to Traitor by 
The Cambridge Companion to Frederick Douglass by 
Frederick Douglass by
Born into slavery in 1818, Frederick Douglass rose to become a preeminent American intellectual and activist who, as statesman, author, lecturer, and scholar, helped lead the fight against slavery and racial oppression. Unlike many other leading abolitionists, Douglass embraced the U.S. Constitution, believing it to be an essentially anti-slavery document guaranteeing that individual rights belonged to all Americans, of all races. Furthermore, in his most popular lecture,'Self-Made Men,'Douglass praised those who rise through their own effort and devotion rather than the circumstances of their privilege. For him, independence, pride, and personal and economic freedom were the natural consequences of the equality that lay at the heart of the American dream—a dream that all people, regardless of race, gender, or class, deserved a chance to pursue.This biography takes a fresh look at the life and inspirational legacy of one of America's most passionate and dedicated thinkers. As detailed in this compact and highly compelling work, Douglass—in some ways a conservative, in other ways a revolutionary—espoused and lived the central idea of his work: we must be free to make ourselves the best people we can be.
Frederick Douglass by
From his enslavement to freedom, Frederick Douglass was one of America's most extraordinary champions of liberty and equality. Throughout his long life, Douglass was also a man of profound religious conviction. In this concise and original biography, D. H. Dilbeck offers a provocative interpretation of Douglass's life through the lens of his faith. In an era when the role of religion in public life is as contentious as ever, Dilbeck provides essential new perspective on Douglass's place in American history. Douglass came to faith as a teenager among African American Methodists in Baltimore. For the rest of his life, he adhered to a distinctly prophetic Christianity. Imitating the ancient Hebrew prophets and Jesus Christ, Douglass boldly condemned evil and oppression, especially when committed by the powerful. Dilbeck shows how Douglass's prophetic Christianity provided purpose and unity to his wide-ranging work as an author, editor, orator, and reformer. As'America's Prophet,'Douglass exposed his nation's moral failures and hypocrisies in the hopes of creating a more just society. He admonished his fellow Americans to truly abide by the political and religious ideals they professed to hold most dear. Two hundred years after his birth, Douglass's prophetic voice remains as timely as ever.
How to Analyze the Works of Frederick Douglass by 
Life and Times of Frederick Douglass by
Frederick Douglass, (1817-1895), was the leading spokesman for African Americans in the 1800's. Born a slave, Douglass became a noted reformer, author, and speaker. He devoted his life to the abolition of slavery and the fight for black rights.
The Lives of Frederick Douglass by
Frederick Douglass's changeable sense of his own life story is reflected in his many conflicting accounts of events during his journey from slavery to freedom. Robert S. Levine creates a fascinating collage of this elusive subject—revisionist biography at its best, offering new perspectives on Douglass the social reformer, orator, and writer.
Narrative of the Life of Frederick Douglass by
Annotation In 1817 or 1818, Frederick Douglass was born into slavery on a plantation in Maryland. As a young boy, he served in a household, but as he grew older, he faced increasingly brutal conditions and cruel owners. After many years, he escaped to freedom in New York City and began to publicly denounce slavery through writings and speeches. This unabridged version of Douglass's powerful autobiography, first published in 1845, provides an honest, firsthand account of the horrors of slavery in the United States.
Approaches to Teaching Narrative of the Life of Frederick Douglass by Life and Times of Frederick Douglass: His Early Life as a Slave, His Escape from Bondage and His Complete History by The Lives of Frederick Douglass by
"Frederick Douglass's fluid, changeable sense of his own life story is reflected in the many conflicting accounts he gave of key events and relationships during his journey from slavery to freedom. Nevertheless, when these differing self-presentations are put side by side and consideration is given individually to their rhetorical strategies and historical moment, what emerges is a fascinating collage of Robert S. Levine's elusive subject. The Lives of Frederick Douglass is revisionist biography at its best, offering new perspectives on Douglass the social reformer, orator, and writer. Out of print for a hundred years when it was reissued in 1960, The Narrative of the Life of Frederick Douglass (1845) has since become part of the canon of American literature and the primary lens through which scholars see Douglass's life and work. Levine argues that the disproportionate attention paid to the Narrative has distorted Douglass's larger autobiographical project. The Lives of Frederick Douglass focuses on a wide range of writings from the 1840s to the 1890s, particularly the neglected Life and Times of Frederick Douglass (1881, 1892), revised and expanded only three years before Douglass's death. Levine provides fresh insights into Douglass's relationships with John Brown, Abraham Lincoln, William Lloyd Garrison, and his former slave master Thomas Auld, and highlights Douglass's evolving positions on race, violence, and nation. Levine's portrait reveals that Douglass could be every bit as pragmatic as Lincoln--of whom he was sometimes fiercely critical--when it came to promoting his own work and goals."--Publisher's description.
The Cambridge Companion to Emily Dickinson by 
The Cambridge Introduction to Emily Dickinson by
Emily Dickinson is best known as an intensely private, even reclusive writer. Yet the way she has been mythologised has meant her work is often misunderstood. This introduction delves behind the myth to present a poet who was deeply engaged with the issues of her day. In a lucid and elegant style, the book places her life and work in the historical context of the Civil War, the suffrage movement, and the rapid industrialisation of the United States. Wendy Martin explores the ways in which Dickinson's personal struggles with romantic love, religious faith, friendship and community shape her poetry. The complex publication history of her works, as well as their reception, is teased out, and a guide to further reading is included. Dickinson emerges not only as one of America's finest poets, but also as a fiercely independent intellect and an original talent writing poetry far ahead of her time.
The Collected Poems of Emily Dickinson by
This collection of Emily Dickinson's work contains 444 of the nearly 1,800 poems that the prolific yet reclusive American poet privately penned during her lifetime. Although her bold and non-traditional writing style met with mixed reviews when first published, Dickinson is now considered one of America's greatest poets. Included here are such famous poems as "Because I could not stop for Death," "I'm nobody Who are you?," and "Hope is the thing with feathers." Themes of love, loss, death, and immortality imbue Dickinson's work with a timeless quality; her unconventional poetry continues to provide insight into the human condition. This is an unabridged compilation of three series of Dickinson's poetry edited and published by her friends after her death--the first series in 1890, the second in 1891, and the third in 1896.
Emily Dickinson by
An introduction to the life and career of the beloved 19th-century American poet.
Emily Dickinson's Poems by
Cristanne Miller's major edition of Dickinson's poems presents the 1,100 poems the poet retained during her lifetime, in the form she retained them. Dickinson took pains to copy these poems onto folded sheets in fair hand, arguably to preserve them for posterity. Included are Dickinson's alternate phrases and the editor's notes and Introduction.
A Historical Guide to Emily Dickinson by
One of America's most celebrated women, Emily Dickinson was virtually unpublished in her own time and unknown to the public at large. Yet since the first publication of a limited selection of her poems in 1890, she has emerged as one of the most challenging and rewarding writers of all time. Born into a prosperous family in small town Amherst, Massachusetts, she had an above average education for a woman, attending a private high school and then Mount Holyoke Female Seminary, now Mount Holyoke College. Returning to Amherst to her loving family and her'feast'in the reading line, in the 1850s she became increasingly solitary and after the Civil War she spent her life indoors. Despite her cooking and gardening and extensive correspondence, Dickinson's life was strikingly narrow in its social compass. Not so her mind, and on her death in 1886 her sister discovered an astonishing cache of close to eighteen hundred poems. Bitter family quarrels delayed the full publication of Dickinson's'letter to the World,'but today her poetry is commonly anthologized and widely praised for its precision, its intensity, its depth and beauty. Dickinson's life and work, however, remain in important ways mysterious. The essays presented here, all of them previously unpublished, provide an overview of Dickinson studies at the start of the twenty-first century. Written in an engaging and accessible style, this collection represents the best of contemporary scholarship and points the way toward exciting new directions for the future. The volume includes a biographical essay that covers some of the major turning points in the poet's life, especially those emphasized by her letters. Other essays discuss Dickinson's religious beliefs, her response to the Civil War, her class-based politics, her place in a tradition of American women's poetry, and the editing of her manuscripts. A Historical Guide to Emily Dickinson concludes with a rich bibliographical essay describing the controversial history of Dickinson's life in print, together with a substantial bibliography of relevant sources.
Reading in Time: Emily Dickinson in the Nineteenth Century by
This book provides new information about Emily Dickinson as a writer and new ways of situating this poet in relation to nineteenth-century literary culture, examining how we read her poetry and how she was reading the poetry of her own day. Cristanne Miller argues both that Dickinson's poetry is formally far closer to the verse of her day than generally imagined and that Dickinson wrote, circulated, and retained poems differently before and after 1865. Many current conceptions of Dickinson are based on her late poetic practice. Such conceptions, Miller contends, are inaccurate for the time when she wrote the great majority of her poems. Before 1865, Dickinson at least ambivalently considered publication, circulated relatively few poems, and saved almost everything she wrote in organized booklets. After this date, she wrote far fewer poems, circulated many poems without retaining them, and took less interest in formally preserving her work. Yet, Miller argues, even when circulating relatively few poems, Dickinson was vitally engaged with the literary and political culture of her day and, in effect, wrote to her contemporaries. Unlike previous accounts placing Dickinson in her era, Reading in Time demonstrates the extent to which formal properties of her poems borrow from the short-lined verse she read in schoolbooks, periodicals, and single-authored volumes. Miller presents Dickinson's writing in relation to contemporary experiments with the lyric, the ballad, and free verse, explores her responses to American Orientalism, presents the dramatic lyric as one of her preferred modes for responding to the Civil War, and gives us new ways to understand the patterns of her composition and practice of poetry.
Religion Around Emily Dickinson by
Religion Around Emily Dickinson begins with a seeming paradox posed by Dickinson's posthumously published works: while her poems and letters contain many explicitly religious themes and concepts, throughout her life she resisted joining her local church and rarely attended services. Prompted by this paradox, W. Clark Gilpin proposes, first, that understanding the religious aspect of the surrounding culture enhances our appreciation of Emily Dickinson's poetry and, second, that her poetry casts light on features of religion in nineteenth-century America that might otherwise escape our attention. Religion, especially Protestant Christianity, was “around” Emily Dickinson not only in explicitly religious practices, literature, architecture, and ideas but also as an embedded influence on normative patterns of social organization in the era, including gender roles, education, and ideals of personal intimacy and fulfillment. Through her poetry, Dickinson imaginatively reshaped this richly textured religious inheritance to create her own personal perspective on what it might mean to be religious in the nineteenth century. The artistry of her poetry and the profundity of her thought have meant that this personal perspective proved to be far more than “merely” personal. Instead, Dickinson's creative engagement with the religion around her has stimulated and challenged successive generations of readers in the United States and around the world.
Theatricals of Day by
"In her own private ways, Emily Dickinson participated in the popular entertainments of her time. On her piano, she performed popular musical numbers, many from the tradition of minstrelsy, and at theaters, she listened to famous musicians, including Jenny Lind and, likely, the Hutchinson Family Singers. In reading the Atlantic Monthly, the Springfield Republican, and Harper's, she kept up with the roiling conflicts over slavery and took in current fiction and verse. And, she enjoyed the occasional excursion to the traveling circus and appreciated the attractions of the dime museum. Whatever her aspirations were regarding participation in a public arena, the rich world of popular culture offered Dickinson a view of both the political and social struggles of her time and the amusements of her contemporaries. 'Theatricals of Day' explores how popular culture and entertainments are seen, heard, and felt in Dickinson's writing. In accessible prose, Sandra Runzo proposes that the presence of popular entertainment in Dickinson's life and work opens our eyes to new dimensions of the poems, illuminating the ways in which the poet was attentive to strife and conflict, to amusement, and to play"-- Provided by publisher.
Emily Dickinson: A Collection of Critical Essays by 
Emily Dickinson and Her Contemporaries by 
Emily Dickinson and the Art of Belief by 
The Emily Dickinson Handbook by 
The Life and Letters of Emily Dickinson by Religion Around Emily Dickinson by
"Examines how the religious environment around Emily Dickinson, specifically New England Protestantism, helps in understanding her poetry, and conversely how her poetry brings attention to religious aspects of her culture and surroundings"--Provided by publisher.
The Selected Poems of Emily Dickinson by
Includes over 400 of Dickinson's poems, expressing her ideas on love, life, and nature, that were published after her death in 1886.
The Value of Emily Dickinson by
"The Value of Emily Dickinson is the first compact introduction to Dickinson to focus primarily on her poems and why they have held and continue to hold such significance for readers. It addresses the question of literary value in light of current controversies dividing scholars, including those surrounding the critical issue of whether her writings are best appreciated as visual works of manuscript art or as rhymed and metered poems intended for the inner ear. Mary Loeffelholz deftly incorporates Dickinson's distinctive biography and her historical, religious, and cultural contexts into close readings, tracing the evolution of Dickinson's style. This volume - which considers not only the complex history of Dickinson's poems in print, but also their future in digital formats - will be an invaluable resource for undergraduate and graduate students seeking to better understand the importance of this seminal American poet"-- Provided by publisher.
The Grimké Sisters from South Carolina by
A landmark work of women's history originally published in 1967, Gerda Lerner's best-selling biography of Sarah and Angelina Grimke explores the lives and ideas of the only southern women to become antislavery agents in the North and pioneers for women's rights. This revised and expanded edition includes two new primary documents and an additional essay by Lerner. In a revised introduction Lerner reinterprets her own work nearly forty years later and gives new recognition to the major significance of Sarah Grimke's feminist writings.
Angelina Grimke by
Abolitionist, women's rights activist, and social reformer, Angelina Grimké (1805-79) was among the first women in American history to seize the public stage in pursuit of radical social reform. "I will lift up my voice like a trumpet," she proclaimed, "and show this people their transgressions." And when she did lift her voice in public, on behalf of the public, she found that, in creating herself, she might transform the world. In the process, Grimké crossed the wires of race, gender, and power, and produced explosions that lit up the world of antebellum reform. Among the most remarkable features of Angelina Grimké's rhetorical career was her ability to stage public contests for the soul of America--bringing opposing ideas together to give them voice, depth, and range to create new and more compelling visions of social change. Angelina Grimké: Rhetoric, Identity, and the Radical Imagination is the first full-length study to explore the rhetorical legacy of this most unusual advocate for human rights. Stephen Browne examines her epistolary and oratorical art and argues that rhetoric gave Grimké a means to fashion not only her message but her very identity as a moral force.
The Grimke Sisters: Sarah and Angelina Grimke, the First American Women Advocates of Abolition and Woman's Rights by 
Slave Narratives after Slavery by
The pre-Civil War autobiographies of famous fugitives such as Frederick Douglass, William Wells Brown, and Harriet Jacobs form the bedrock of the African American narrative tradition. After emancipation arrived in 1865, former slaves continued to write about their experience of enslavement and their upward struggle to realize the promise of freedom and citizenship. Slave Narratives After Slavery reprints five of the most important and revealing first-person narratives of slavery and freedom published after 1865. Elizabeth Keckley's controversial Behind the Scenes (1868) introduced white America to the industry and progressive outlook of an emerging black middle class. The little-known Narrative of the life of John Quincy Adams, When in Slavery, and Now as a Freeman (1872) gave eloquent voice to the African American working class as it migrated from the South to the North in search of opportunity. William Wells Brown's My Southern Home (1880) retooled the image of slavery delineated in his widely-read antebellum Narrative and offered his reader a first-hand assessment of the South at the close of Reconstruction. Lucy Ann Delaney used From the Darkness Cometh the Light (1891) to pay tribute to her enslaved mother and to exemplify the qualities of mind and spirit that had ensured her own fulfillment in freedom. Louis Hughes's Thirty Years a Slave (1897) spoke for a generation of black Americans who, perceiving the spread of segregation across the South, sought to remind the nation of the horrors of its racial history and of the continued dedication of the once enslaved to dignity, opportunity, and independence.
Incidents in the Life of a Slave Girl by
Incidents in the Life of a Slave Girl is the immensely powerful autobiography of Harriet Jacobs, who wrote under a pen name. A feminist work, she uses her experiences to state and restate her belief that though all unhappiness sprung from being a slave, she had to endure worse, being also a woman. Her experiences show that the only refuge and relief to be found were in other women, and also that women were less able to attempt freedom when that would mean leaving their children behind. Her autobiography is the account of her struggle to achieve that freedom and respect and redefine herself. Her life is a testament to her grandmother's credo:'He that is willing to be a slave, let him be a slave.'
I Was Born a Slave by
Between 1760 and 1902, more than 200 book-length autobiographies of ex-slaves were published; together they form the basis for all subsequent African American literature. I Was Born a Slave collects the 20 most significant “slave narratives.” They describe whippings, torture, starvation, resistance, and hairbreadth escapes; slave auctions, kidnappings, and murders; sexual abuse, religious confusion, the struggle of learning to read and write; and the triumphs and difficulties of life as free men and women. Many of the narratives—such as those of Frederick Douglass and Harriet Jacobs—have achieved reputations as masterpieces; but some of the lesser-known narratives are equally brilliant. This unprecedented anthology presents them unabridged, providing each one with helpful introductions and annotations, to form the most comprehensive volume ever assembled on the lives and writings of the slaves.Volume two (1849–1866) includes the narratives of Henry Bibb, James W. C. Pennington, Solomon Northup, John Brown, John Thompson, William and Ellen Craft, Harriet Jacobs (Linda Brent), Jacob D. Green, James Mars, and William Parker.
Slavery and Class in the American South by
In William L. Andrews's magisterial study of an entire generation of slave narrators, more than 60 mid-nineteenth-century narratives reveal how work, family, skills, and connections made for social and economic differences among the enslaved of the South. Slave narrators disclosed class-based reasons for violence that broke out between 'impudent,' 'gentleman,' and 'lady' slaves and their resentful "mean masters." Andrews's far-reaching book shows that status and class played key roles in the self- and social awareness and in the processes of liberation portrayed in the narratives of the most celebrated fugitives from U.S. slavery, such as Frederick Douglass, Harriet Jacobs, William Wells Brown, and William and Ellen Craft. Slavery and Class in the American South explains why social and economic distinctions developed and how they functioned among the enslaved. Noting that the majority of the slave narrators came from the higher echelons of the enslaved, Andrews also pays close attention to the narratives that have received the least notice from scholars, those from the most exploited class, the 'field hands.' By examining the lives of the most and least acclaimed heroes and heroines of the slave narrative, Andrews shows how the dividing edge of social class cut two ways, sometimes separating upper and lower strata of slaves to their enslavers' advantage, but at other times fueling pride, aspiration, and a sense of just deserts among some of the enslaved that could be satisfied by nothing less than complete freedom"-- Provided by publisher.
The Cambridge Companion to Walt Whitman by 
The Cambridge Introduction to Walt Whitman by 
Walt Whitman and 19th-Century Women Reformers by
Ceniza provides a dramatic rereading of Walt Whitman's poetry through the lens of 19th-century feminist culture. Walt Whitman and 19th-Century Women Reformers documents Whitman's friendships with women during the 1850s, the decade of Whitman's most creative period. The book reveals startling connections between the Þrst three editions of Leaves of Grass and the texts generated by the women he knew during this period, many of whom were radical activists in the women's rights movement. Sherry Ceniza argues that Whitman's editions of Leaves became progressively more radically'feminist'as he followed the women's rights movement during the 1850s and that he was influenced by what he called the'true woman of the new aggressive type... woman under the new dispensation.'Ceniza documents the progression of the National Woman's Rights movement through the lives and writings of three of its leaders- Abby Hills Price, Paulina Wright Davis, and Ernestine L. Rose. By juxtaposing the texts written by these women with Leaves, Ceniza shows that Whitman used many of the same arguments and rhetorical gestures as his female activist friends. The book also discusses the influence of women engaged in women's rights outside the National Woman's Rights organization. And Ceniza's opening chapter is devoted to a fresh interpretation of the life and thought of another strong-minded woman who influenced the poet's writing-Louisa Van Velsor Whitman, Walt Whitman's mother.
A Reader's Guide to Walt Whitman by 
Walt Whitman and the Civil War by
Shortly after the third edition ofLeaves of Grasswas published, in 1860, Walt Whitman seemed to drop off the literary map, not to emerge again until his brother George was wounded at Fredericksburg two and a half years later. Past critics have tended to read this silence as evidence of Whitman's indifference to the Civil War during its critical early months. In this penetrating, original, and beautifully written book, Ted Genoways reconstructs those forgotten years--locating Whitman directly through unpublished letters and never-before-seen manuscripts, as well as mapping his associations through rare period newspapers and magazines in which he published. Genoways's account fills a major gap in Whitman's biography and debunks the myth that Whitman was unaffected by the country's march to war. Instead,Walt Whitman and the Civil Warreveals the poet's active participation in the early Civil War period and elucidates his shock at the horrors of war months before his legendary journey to Fredericksburg, correcting in part the poet's famous assertion that the "real war will never get in the books.
Lincoln by
Abraham Lincoln occupies a unique place in the American pantheon. Symbol, sage, myth and martyr, he is an American icon – Honest Abe and The Great Emancipator, a Janus-faced demigod sculpted in marble. But this is the post-assassination Lincoln. During his lifetime Lincoln elicited very different reactions. The writings and speeches presented in this scholarly edition illuminate Lincoln as a political thinker in the context of his own time and political situation. Opening with a concise yet rich introduction, the texts that follow are complete and carefully edited, with extensive annotation and footnotes to provide a clearer insight into Lincoln the man, the politician and political thinker. His views on race and slavery, on secession and civil war and on the contradiction (as his saw it) between the Declaration of Independence ('all men are created equal') and the original Constitution (which condones slavery) are laid out in Lincoln's own well-crafted words.
The Long Shadow of Lincoln's Gettysburg Address by
When Abraham Lincoln addressed the crowd at the new national cemetery in Gettysburg, Pennsylvania, on November 19, 1863, he intended his speech to be his most eloquent statement on the inextricable link between equality and democracy. However, unwilling to commit to equality at that time, the nation stood ill-prepared to accept the full message of Lincoln's Gettysburg Address. In the ensuing century, groups wishing to advance a particular position hijacked Lincoln's words for their own ends, highlighting the specific parts of the speech that echoed their stance while ignoring the rest. Only as the nation slowly moved toward equality did those invoking Lincoln's speech come closer to recovering his true purpose. In this incisive work, Jared Peatman seeks to understand Lincoln's intentions at Gettysburg and how his words were received, invoked, and interpreted over time, providing a timely and insightful analysis of one of America's most legendary orations. After reviewing the events leading up to November 19, 1863, Peatman examines immediate responses to the ceremony in New York, Gettysburg itself, Confederate Richmond, and London, showing how parochial concerns and political affiliations shaped initial coverage of the day and led to the censoring of Lincoln's words in some locales. He then traces how, over time, proponents of certain ideals invoked the particular parts of the address that suited their message, from reunification early in the twentieth century to American democracy and patriotism during the world wars and, finally, to Lincoln's full intended message of equality during the Civil War centennial commemorations and the civil rights movement of the 1960s. Peatman also explores foreign invocations of the Gettysburg Address and its influence on both the Chinese constitution of 1912 and the current French constitution. An epilogue highlights recent and even current applications of the Gettysburg Address and hints at ways the speech might be used in the future. By tracing the evolution of Lincoln's brief words at a cemetery dedication into a revered document essential to American national identity, this revealing work provides fresh insight into the enduring legacy of Abraham Lincoln and his Gettysburg Address on American history and culture.
The Mind and Art of Abraham Lincoln, Philosopher Statesman by
By analyzing many of Lincoln's most important speeches, The Mind and Art of Abraham Lincoln, Philosopher Statesman shows him to be a profound and systematic thinker who tries to get at the root of issues, not all of them strictly political. Lowenthal emphasizes Lincoln's manner of writing, which enables him to conceal his most radical thoughts, and pays special attention to the reasoning and artfulness with which he treats a wide variety of subjects. The book follows Lincoln from his Perpetuation or Lyceum address in 1838 to his last speech just after Lee's surrender, as he confronts the great issues of the day and lays out the fundamentals of American politics. Along the way, Lowenthal's careful analysis frees Lincoln of the charge of racial prejudice with which he has been saddled in recent years.
The Ultimate Guide to the Gettysburg Address by
Abraham Lincoln's November 19, 1863, Gettysburg Address is generally recognized as one of the greatest leadership speeches ever written. The Ultimate Guide to the Gettysburg Address explains the 272-word speech more thoroughly than any book previously published. With the aid of colorized step-by-step diagrams, the authors deconstruct the speech into its basic elements and demonstrate how the scientific method is basic to the structure of the Gettysburg Address. Lincoln's fascination with geometry is well documented. Authors David Hirsch and Dan Van Haften, however, are the first to discover and then demonstrate Lincoln's use of the six elements of a proposition and then diagram and explain how his in-depth study of geometry helped him compose the Gettysburg Address. The result is a deeper and richer understanding of the Gettysburg Address that was not previously possible. This concise color examination of one of our nation's most treasured and important speeches is perfect for all ages and especially for those interested in history, the use of language, and logic.
The Eloquent President by
Historian Ronald White examines Lincoln's astonishing oratory and explores his growth as a leader, a communicator, and a man of deepening spiritual conviction. Examining a different speech, address, or public letter in each chapter, White tracks the evolution of Lincoln's rhetoric from the measured, lawyerly tones of the First Inaugural to the haunting, immortal poetry of the Gettysburg Address. As a speaker who appealed not to intellect alone, but also to the hearts and souls of citizens, Lincoln persuaded the nation to follow him during the darkest years of the Civil War. Through the speeches and what surrounded them, we see the full sweep and meaning of the Lincoln presidency.--Publisher.
The Gettysburg Address by
It remains without question the most memorable and memorized speech in American history. In 272 words, spoken on November 19, 1863, among the freshly dug graves of the Union dead at Gettysburg, Pennsylvania, Abraham Lincoln evoked and distilled the profound significance of the terrible war in which the nation was engaged. This volume aims to place Lincoln's words in their full context. Edited by the country's leading scholars, including Sean Wilentz, Craig L. Symonds, and Harold Holzer, it approaches the Address from a number of fresh perspectives. Taken together, they show why in the century and a half since it was delivered, the Gettysburg Address has proven a seemingly inexhaustible source of somber reflection and soaring hope, its language echoed by those seeking meaning for their own struggles and sacrifices.
The Cambridge Companion to Henry David Thoreau by 
Henry David Thoreau and the Moral Agency of Knowing by 
A Historical Guide to Henry David Thoreau by 
Wild Apples and Other Natural History Essays by
This volume of seven essays and a late lecture by Henry David Thoreau makes available important material written both before and after Walden. First appearing in the 1840s through the 1860s, the essays were written during a time of great change in Thoreau's environs, as the Massachusetts of his childhood became increasingly urbanized and industrialized. William Rossi's introduction puts the essays in the context of Thoreau's other major works, both chronologically and intellectually. Rossi also shows how these writings relate to Thoreau's life and career as both writer and naturalist: his readings of Ralph Waldo Emerson and Charles Darwin; his failed bid for commercial acceptance of his work; and his pivotal encounter with the utter wildness of the Maine woods. In the essays themselves, readers will see how Thoreau melded conventions of natural history writing with elements of two popular literary forms--travel writing and landscape writing--to explore concerns ranging from America's westward expansion to the figural dimensions of scientific facts and phenomena. Thoreau the thinker, observer, wanderer, and inquiring naturalist--all emerge in this distinctive composite picture of the economic, natural, and spiritual communities that left their marks on one of our most important early environmentalists.
Great Short Works of Henry David Thoreau by Walden and Other Writings of Henry David Thoreau by 
Bloom's How to Write about Herman Melville by 
The Cambridge Companion to Herman Melville by 
The Cambridge Introduction to Herman Melville by
Despite its indifferent reception when it was first published in 1851, Moby Dick is now a central work in the American literary canon. This introduction offers readings of Melville's masterpiece, but it also sets out the key themes, contexts, and critical reception of his entire oeuvre. The first chapters cover Melville's life and the historical and cultural contexts. Melville's individual works each receive full attention in the third chapter, including Typee, Moby Dick, Billy Budd and the short stories. Elsewhere in the chapter different themes in Melville are explained with reference to several works: Melville's writing process, Melville as letter writer, Melville and the past, Melville and modernity, Melville's late writings. The final chapter analyses Melville scholarship from his day to ours. Kevin J. Hayes provides comprehensive information about Melville's life and works in an accessible and engaging book that will be essential for students beginning to read this important author.
A Companion to Herman Melville by
In a series of 35 original essays, this companion demonstrates the relevance of Melville's works in the twenty-first century. Presents 35 original essays by scholars from around the world, representing a range of different approaches to Melville Considers Melville in a global context, and looks at the impact of global economies and technologies on the way people read Melville Takes account of the latest and most sophisticated scholarship, including postcolonial and feminist perspectives Locates Melville in his cultural milieu, revising our views of his politics on race, gender and democracy Reveals Melville as a more contemporary writer than his critics have sometimes assumed
Herman Melville by
This unique introduction explores Herman Melville as he described himself in Billy Budd-"a writer whom few know." Moving beyond the recurring depiction of Melville as the famous author of Moby-Dick, this book traces his development as a writer while providing the basic tools for successful critical reading of his novels. Offers a brief introduction to Melville, covering all his major works Showcases Melville's writing process through his correspondence with Nathaniel Hawthorne Provides a clear sense of Melville's major themes and preoccupations Focuses on Typee, Moby-Dick, and Billy Budd in individual chapters Includes a biography, summary of key works, interpretation, commentary, and an extensive bibliography.
A Historical Guide to Herman Melville by
This collection gathers together original essays dealing with Melville's relations with his historical era, with class, with the marketplace, with ethnic otherness, and with religion. These essays are framed by a new, short biography by Robert Milder, an introduction by Giles Gunn, an illustrated chronology, and a bibliographical essay. Taken together, these pieces afford a fresh and searching set of perspectives on Melville's connections both with his own age and also with our own. This book makes the case, as does no other collection of criticism of its size, for Melville's commanding centrality to nineteenth-century American writing.
Mourning, Gender, and Creativity in the Art of Herman Melville by 
The New Cambridge Companion to Herman Melville by The best of Herman Melville: Moby Dick; Omoo; Typee; Israel Potter by Selected Poems of Herman Melville by 
