The Artful Dickens by
"Discover the tricks of a literary master in this essential guide to the fictional world of Charles Dickens. From Pickwick to Scrooge, Copperfield to Twist, how did Dickens find the perfect names for his characters? What was Dickens's favourite way of killing his characters? When is a Dickens character most likely to see a ghost? Why is Dickens's trickery only fully realised when his novels are read aloud? In thirteen entertaining and wonderfully insightful essays, John Mullan explores the literary machinations of Dickens's eccentric genius, from his delight in clichés to his rendering of smells and his outrageous use of coincidences. A treat for all lovers of Dickens, this essential companion puts his audacity, originality and brilliance on full display"--Dust jacket flap.
Becoming Dickens by
Becoming Dickens tells the story of how an ambitious young Londoner became England's greatest novelist. In following the twists and turns of Charles Dickens's early career, Robert Douglas-Fairhurst examines a remarkable double transformation: in reinventing himself Dickens reinvented the form of the novel. It was a high-stakes gamble, and Dickens never forgot how differently things could have turned out. From his traumatized childhood to the suicide of his first collaborator and the sudden death of the woman who had a good claim to being the love of his life, Dickens faced powerful obstacles. Douglas-Fairhurst's provocative new biography, focused on the 1830s, portrays a restless and uncertain Dickens who could not decide on the career path he should take and would never feel secure in his considerable achievements. -- from Publisher Description.
Charles Dickens: A New Perspective by Charles Dickens and His World by 
The Mystery of Charles Dickens by
Experiencing the worst and best of life during the Victorian Age, Dickens was not merely the conduit through whom some of the most beloved characters in literature came into the world-- he was one of them. Wilson looks back from the legendary writer's death to recall the key events in his life. In doing so, he seeks to understand Dickens' creative genius and enduring popularity. Following his life from cradle to grave, it becomes clear that Dickens's fiction drew from his life-- a fact he acknowledged. Dickens knew firsthand the poverty and pain his characters endured, including the scandal of a failed marriage. Revisiting the wellspring of Dickens's vast and wild imagination, Wilson reveals why his novels captured the hearts of nineteenth century readers-- and why they continue to resonate today. -- adapted from jacket
Themes in Dickens by
The Victorian age if often portrayed as an era of repressive social mores. Yet this simplified view ignores the context of Great Britain's profound shift, through rapid industrialization, from rural to metropolitan life during this time. Throughout his career, Charles Dickens addressed the numerous changes occurring in Victorian society. His portrayals of organized religion, class distinction, worker's rights, prison reform and rampant poverty resonated with readers experiencing social upheaval. Focusing on his novels, nonfiction writing, speeches and personal correspondence, this book explores Dickens's use of these themes as both literary devices and as a means to effect social progress--back cover.
The Cambridge Companion to Charles Dickens by 
The Cambridge Introduction to Charles Dickens by
Charles Dickens became immensely popular early on in his career as a novelist, and his appeal continues to grow with new editions prompted by recent television and film adaptations, as well as large numbers of students studying the Victorian novel. This lively and accessible introduction to Dickens focuses on the extraordinary diversity of his writing. Jon Mee discusses Dickens's novels, journalism and public performances, the historical contexts and his influence on other writers. In the process, five major themes emerge: Dickens the entertainer; Dickens and language; Dickens and London; Dickens, gender, and domesticity; and the question of adaptation, including Dickens's adaptations of his own work. These interrelated concerns allow readers to start making their own new connections between his famous and less widely read works and to appreciate fully the sheer imaginative richness of his writing, which particularly evokes the dizzying expansion of nineteenth-century London.
Charles Dickens by
This volume in the Critical Insights series brings together a variety of new, classic, and contemporary essays on Dickens's most widely read works. Eugene Goodheart, Edytha Macy Professor of Humanities Emeritus at Brandeis University, introduces the collection with a celebration of Dickens's dramatic and imaginative powers and of his characters''capacity to achieve selflessness in love'despite their grim surroundings. Elizabeth Gumport, writing for The Paris Review, reflects on Dickens's realism and his childlike awe at the world and people around him.
Charles Dickens and the Image of Women by
How successful is Dickens in his portrayal of women? Dickens has been represented (along with William Blake and D.H. Lawrence) as one who championed the life of the emotions often associated with the'feminine.'Yet some of his most important heroines are totally submissive and docile. Dickens, of course, had to accept the conventions of his time. It is obvious, argues Holbrook, that Dickens idealized the father-daughter relationship, and indeed, any such relationship that was unsexual, like that of Tom Pinch and his sisterbut why? Why, for example, is the image of woman so often associated with death, as in Great Expectations? Dickens's own struggles over relationships with women have been documented, but much less has been said about the unconscious elements behind these problems. Using recent developements in psychoanalytic object-relations theory, David Holbrook offers new insight into the way in which the novels of Dickensparticularly Bleak House, Little Dorrit, and Great Expectationsboth uphold emotional needs and at the same time represent the limits of his view of women and that of his time.
Charles Dickens and the Victorian Child by 
Collaborative Dickens: Authorship and Victorian Christmas Periodicals by
From 1850 to 1867, Charles Dickens produced special issues (called “numbers”) of his journals Household Words and All the Year Round, which were released shortly before Christmas each year. In Collaborative Dickens, Melisa Klimaszewski undertakes the first comprehensive study of these Christmas numbers. She argues for a revised understanding of Dickens as an editor who, rather than ceaselessly bullying his contributors, sometimes accommodated contrary views and depended upon multivocal narratives for his own success.Klimaszewski uncovers connections among and between the stories in each Christmas collection. She thus reveals ongoing conversations between the works of Dickens and his collaborators on topics important to the Victorians, including race, empire, supernatural hauntings, marriage, disability, and criminality. Stories from Wilkie Collins, Elizabeth Gaskell, and understudied women writers such as Amelia B. Edwards and Adelaide Anne Procter interact provocatively with Dickens's writing. By restoring links between stories from as many as nine different writers in a given year, Klimaszewski demonstrates that a respect for the Christmas numbers'plural authorship and intertextuality results in a new view of the complexities of collaboration in the Victorian periodical press and a new appreciation for some of the most popular texts Dickens published.
Great Expectations: Critical Insights by
In-depth critical discussions of Charles Dickens'novel
The Grotesque in the Fiction of Charles Dickens and Other 19th-Century European Novelists by
This book provides an overview of the literary grotesque in 19th-century Europe, with special emphasis on Charles Dickens, whose use of this complex aesthetic category is thus addressed in relation with other 19th-century European writers. The crossing of geographical boundaries allows an in-depth study of the different modes of the grotesque found in 19th-century fiction. It provides a comprehensive analysis of the reasons behind the extensive use of such a favoured mode of expression. Intertextuality and comparative or cultural analysis are thus used here to shed new light on Dickens's influences (both given and received), as well as to compare and contrast his use of the grotesque with that of key 19th-century writers like Hugo, Gogol, Thackeray, Hardy and a few others. The essays of this volume examine the various forms taken by the grotesque in 19th-century European fiction, such as, for example, the fusion of the familiar and the uncanny, or of the terrifying and the comic; as well as the figures and narrative techniques best suited for the expression of a novelist's grotesque vision of the world. These essays contribute to an assessment of the links between the grotesque, the gothic and the fantastic, and, more generally, the genres and aesthetic categories which the 19th-century grotesque fed on, like caricature, the macabre and tragicomedy. They also examine the novelists'grotesque as contributing to the questioning of society in Victorian Britain and 19th-century Europe, echoing its raging conflicts and the shocks of scientific progress. This study naturally adopts as its theoretical basis the works of key theorists and critics of the grotesque: namely, Victor Hugo, Charles Baudelaire and John Ruskin in the 19th century, and Mikhail Bakhtin, Wolfgang Kayser, Geoffrey Harpham and Elisheva Rosen in the 20th century.
Life of Charles Dickens by
It has been stated that ¡§Charles Dickens began life as a lawyer, got tired of the dull routine, and turned to literature.¡¨ This is erroneous, for he never had even a chance of becoming a lawyer, ƒ{ either in the higher grade of outer barrister, or ¡§counsel learned in the law,¡¨ or in the lower, but often more lucrative, class of attorney. As stated in the book, this work attempts to provide an accurate sketch of Charles Dickens¡¦ literary and personal history ¡X stating plain facts, introducing some of his correspondence never before printed, and adding such anecdotes and traits of character to illustrate his double position as a Man of Letters and Man of the People. Within this work, the admiration of the ability of the necessarily rapid tributes to the genius and worth of Mr. Dickens is expressed, which appeared in the American newspapers. In the most aristocratic country in the world, Charles Dickens stood, not merely among but above all his contemporaries as a Man of the People. Scott, Bulwer, Macaulay, Thackeray, and others who taught great truths through the press, either were of high family descent or had received the best education that Universities could bestow. Their writings are crowded with references to the classic authors of their youth. Dickens, son of an obscure Government clerk, whose pedigree no one has cared to trace, received only such an education as, free of cost, every State in our Union bestows upon its children. It has been argued by great scholars, that Shakespeare was familiar not only with classical but modern European literature; but Dickens was master of one language ¡X that which is spoken, not alone in his island-home, but in Asia, in Australia, and most of all, in our United States. He knew, and was proud in the knowledge, that for every one reader he had at home, there were fifty here.
London, Radical Culture, and the Making of the Dickensian Aesthetic by 
The Selected Letters of Charles Dickens by
What was it like to be Charles Dickens? His letters are the nearest we can get to a Dickens autobiography: vivid close-up snapshots of a life lived at maximum intensity. This is the first selection to be made from the magisterial twelve-volume British Academy Pilgrim Edition of his letters. From over fourteen thousand, four hundred and fifty have been cherry-picked to give readers the best essence of'the Sparkler of Albion'. Dickens was a man with ten times the energy of ordinary mortals. There seem to have been twice the number of hours in his day, and he threw himself into letter-writing as he did into everything else. This eagerly awaited selection takes us straight to the heart of his life, to show us Dickens at first hand. Here he is writing out of the heat of the moment: as a novelist, journalist, and magazine editor; as a social campaigner and traveller in Europe and America, and as friend, lover, husband, and father. Reading and writing letters punctuated the rhythms of Dickens's day.'I walk about brimful of letters', he told a friend. He claimed to write'at the least, a dozen a day'. Sometimes it was a chore but more often a pleasure: an outlet for high spirits, sparkling wit, and caustic commentary - always as seen through his highly individual and acutely observing eye. Whether you dip in or read straight through, this selection of his letters creates afresh the brilliance of being Dickens, and the sheer pleasure of being in his company.
Master Humphrey's Clock and a Child's History of England by 
The Mystery of Edwin Drood by
Moving from a sedate cathedral town to London's sordid opium dens, the mystery of who killed the missing Edwin Drood, or if he was actually killed at all, is finally resolved. Introduces an array of characters, from the sinister to the comic, and moves to a haunting climax in an atmospheric murder mystery that features the seemingly benevolent John Jasper, a secret opium addict, and his relationship with his newly engaged nephew, Edwin Drood.
Our Mutual Friend by
John Harmon returns to England as his father's heir. Believed drowned under suspicious circumstances--a situation convenient to his wish for anonymity--John evaluates Bella Wilfer, whom he must marry to secure his inheritance. The story is filled with colorful Victorian characters and incidents -- the faded aristocrats and parvenus gathered at the Veneering's dinner table, Betty Higden and her terror of the workhouse, and the greedy plottings of Silas Wegg.
The Uncommercial Traveller and Reprinted Pieces Etc by 
Charles Dickens - Our Bore & Other Stories by 
Charles Dickens - Out of Town & Other Short Stories by 
Charles Dickens - Sketches & Other Short Stories by 
Charles Dickens: The Essential Collection by
This superb collection of classic Victorian literature features the most notable works of Charles Dickens, including Oliver Twist (1839), A Christmas Carol (1843), A Tale of Two Cities (1859), and Great Expectations (1861). Considered the greatest novelist of the Victorian era, Dickens was especially known for his unusual characters, incisive social commentary, and carefully constructed plots. Over the last two centuries, his popular fiction has continued to inspire adaptations in nearly artistic genre, and now it is available--complete and unabridged--in this gorgeous edition. The stylish edition also features a historical timeline and comprehensive introduction, enlightening the reader on the author's life and works. The Knickerbocker Classics bring together the essential works of classic authors from around the world in stunning editions to be collected and enjoyed.
A Christmas Carol and Other Christmas Books by
What was merry Christmas to Scrooge? Out upon merry Christmas! What good had it ever done to him?'Ebenezer Scrooge is a bad-tempered skinflint who hates Christmas and all it stands for, but a ghostly visitor foretells three apparitions who will thaw Scrooge's frozen heart. A Christmas Carol has gripped the public imagination since it was first published in 1843, and it is now as much a part of Christmas as mistletoe or plum pudding. This edition reprints the story alongside Dickens's four other Christmas Books: The Chimes, The Cricket on the Hearth, The Battle of Life, and The Haunted Man. All five stories show Dickens at his unpredictable best, jumbling together comedy and melodrama, genial romance and urgent social satire, in pursuit of his aim'to awaken some loving and forbearing thoughts, never out of season in a Christian land'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
David Copperfield by
`I have in my heart of hearts a favourite child. And his name is DAVID COPPERFIELD,'wrote Dickens of what is the most personal, certainly one of the most popular, of all his novels. Dickens wrote the book after the completion of a fragment of autobiography recalling his employment as a child in a London warehouse, and in the first-person narrative, a new departure for him, realized marvellously the workings of memory. The embodiment of his boyhood experience in the novel involved a `complicated interweaving of truth and fiction', at its most subtle in the portrait of his father as Mr Micawber, one of Dickens's greatest comic creations. Enjoying a humour that never becomes caricature, the reader shares David's affection for the eccentric Betsey Trotwood and her protégé Mr Dick, and smiles with the narrator at the trials he endures in his love for the delightfully silly Dora. Settings, (East Anglia, the London of the 1820s), people, and events are unified by their relationship to the story of Steerforth's treachery, which reaches its powerful climax in the storm scene. This edition, which has the accurate Clarendon text, includes Dickens's trial titles and working notes, and eight of the original illustrations by `Phiz'.
Dombey and Son by
Dom-bey and Son'...Those three words conveyed the one idea of Mr. Dombey's life. The earth was made for Dombey and Son to trade in, and the sun and moon were made to give them light. The hopes of Mr Dombey for the future of his shipping firm are centred on his delicate son Paul, and Florence, his devoted daughter, is unloved and neglected. When the firm faces ruin, and Dombey's second marriage ends in disaster, only Florence has the strength and humanity to save her father from desolate solitude. This new edition contains Dickens's prefaces, his working plans, and all the original illustrations by'Phiz'. The text is that of the definitive Clarendon edition. It has been supplemented by a wide-ranging Introduction, highlighting Dickens's engagement with his times, and the touching exploration of family relationships which give the novel added depth and relevance. The Notes and Bibliography have been substantially revised, extended, and updated. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Great Expectations by
you are to understand, Mr. Pip, that the name of the person who is your liberal benefactor remains a profound secret...'Young Pip lives with his sister and her husband the blacksmith, with few prospects for advancement until a mysterious benefaction takes him from the Kent marshes to London. Pip is haunted by figures from his past - the escaped convict Magwitch, the time-withered Miss Havisham and her proud and beautiful ward, Estella - and in time uncovers not just the origins of his great expectations but the mystery of his own heart. A powerful and moving novel, Great Expectations is suffused with Dickens's memories of the past and its grip on the present, and it raises disturbing questions about the extent to which individuals affect each other's lives. This edition includes a lively introduction, Dickens's working notes, the novel's original ending, and an extract from an early theatrical adaptation. It reprints the definitive Clarendon text.
The Lazy Tour of Two Idle Apprentices by
A delightful meditation on the pleasures of bachelor bonding and an example of collaborative journalism at its best In autumn 1857, Charles Dickens embarked on a sightseeing trip to Cumberland with his friend, the rising star of literature Wilkie Collins. Writing together, they reported their adventures for Dickens'periodical Household Words, producing a showcase of both long-cherished and entirely novel sides of these well-loved men of letters. Boasting two ghost stories from undisputed masters of the genre, it also uniquely demonstrates their glee in caricaturing themselves and one another—Collins assumes the identity of Thomas Idle (a born-and-bred idler) and Dickens that of Francis Goodchild (laboriously idle). Through their fictional counterparts, the men relentlessly satirize Dickens'maniacal energy and Collins'idleness. The result is an exuberant diary of a journey and a rare insight into one of literature's most famed and intriguing friendships.
A Tale of Two Cities by
A Tale of Two Cities is a classic novel by Charles Dickens set in the time of the French Revolution. If focuses on the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and corresponding brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution. Interestingly, it follows the lives of several protagonists through these events. Following the lives of several protagonists (most notably Charles Darnay and Sydney Carton), the novel takes the reader on a journey that will stay with them forever. This revised second digital edition has been specially formatted for today's e-readers by Andrews UK, and has many special features, including an easy-to-navigate table of contents.
